Dançando com não/humanos : processos sociotécnicos de criação em dança contemporânea como experimentos de pesquisa

• Ano de defesa: 2012
• Autor(a) principal: Milioli, Danielle
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Mato Grosso; Brasil; Instituto de Linguagens (IL); UFMT CUC - Cuiabá; Programa de Pós-Graduação em Estudos de Cultura Contemporânea
• Palavras-chave em Português: Dança contemporânea; Psicologia social; Processos sociotécnicos de criação; Não humanos; CNPQ::LINGUISTICA, LETRAS E ARTES; Contemporary dance; Social psychology; Sociotechnical processes of creation; Non-humans
• Link de acesso: http://ri.ufmt.br/handle/1/195

This paper situates itself as an interdisciplinary dialog between Contemporary Dance and Social Psychology, getting through questionings originating from sociotechnical studies on centrality of human agency. The dissertation is composed of three experiments where an artist and non-humans are dance partners. The notion of sociotechnical experiments of creation applied here aims to highlight humans and non-humans without agencial or epistemical hierarchy between both. In this perspective, unlike scenic objets so often in dance, non-humans are those with whom creation is constituted. In each sociotechnical experiment of creation, different non-humans constituted the dances: papers, soy grains and technological junk. In the first experiment, papers were taken as sensorial object to produce arrangements that turn corporal multiplicities and attributes, concerning the materialities with which it dances, visible. In the second experiment, the soy as companion specimen embodies different practices and turns into a trope to think a dancing nature that translates the relationality in world construction. In the third, relations between dance and technology are debated, in processes of deciving and undevicing in exoevolution relations in an experiment-body.