Cantares, seis canções para canto e piano, de José Maria Neves: uma abordagem dialógica

• Ano de defesa: 2021
• Autor(a) principal: Elenis Aparecida Sabino Guimarães
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; Brasil; MUSICA - ESCOLA DE MUSICA; Programa de Pós-Graduação em Música; UFMG
• Palavras-chave em Português: José Maria Neves; Canção de Câmara Brasileira; Canção Artística; Dialogismo; Tradução Intersemiótica; Performance Musical; Neves, José Maria, 1943-2002; Música e linguagem; Música - Semiótica; Música para canto e piano
• Link de acesso: http://hdl.handle.net/1843/38932

The aim of this research is to bring to light José Maria Neves’s compositional production. Born in São João del-Rei, Neves is a prominent, well-known personality in Brazilian musical academic circles for his important work as a musicologist and as a professor. However, his compositional work is practically unknown. In order to reach this purpose, I have chosen as corpus of study the set Cantares, six songs for voice and piano, written by Neves during the 1960s and assembled by him under this title in 1972. The musical work is examined through the perspective of musical performance and the analysis of the music-text relations carried out according to Mikhail Bakhtin’s concept of Dialogism and Roman Jakobson’s intersemiotic translation theory. Our analysis will encompass Neves’s social and musical contexts, the production of the poetic texts and the performer’s point of view, whose performance makes it possible to expand the semiotic frame of reference of both, the poem and the song.