Bela, depravada e do lar: como traduzir(am) Tutta casa, letto e chiesa, de Franca Rame e Dario Fo, no Brasil

• Ano de defesa: 2019
• Autor(a) principal: Amanda Bruno de Mello
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; UFMG
• Palavras-chave em Português: Dario Fo; Estudos da Tradução; Teatro Contemporâneo; Franca Rame; Tradução de Teatro; Rame, Franca Tutta casa, letto e chiesa crítica e interpretação; Mulheres e literatura; Feminismo e literaatura; Teatro italiano Traduções para o português; Fo, Dario, 1926-2016 Tutta casa, letto e chiesa Crítica e interpretação; Teatro feminista; Tradução e interpretação
• Link de acesso: http://hdl.handle.net/1843/LETR-BDRJ9M

Tutta casa, letto e chiesa (1977) is a play written by Franca Rame and Dario Fo on the condition of women, deeply marked by the feminist debates that had taken place since 1968 and by the turbulent political events that took place in Italy in the 1960s and 1970s. It was translated into Portuguese as Um orgasmo adulto escapa do zoológico (1983), by Zilda Daeier and Brincando em cima daquilo (1984), by Roberto Vignati and Michele Piccoli. This work proposes a study of the original Italian text based on the Italian political context, on the grotesque humor and on the language used by Rame and Fo with the aim of thinking its translation into Brazilian portuguese. Moreover, since the 1983 translation was not found, it analyzes the 1984 translation, taking into account the reflections of translation theorists such as Berman, Meschonnic, Pavis and Barbosa. Finally, believing that the existing translations into Brazilian portuguese deserved to be updated, the present work also proposes a new integral translation of the Italian spectacle into Brazilian portuguese, entitled Bela, recatada e do lar and based on the last available version of the text, published in 2005 and based on the 1985 performances.