A retórica da performatividade a partir do documentário "Estamira"

• Ano de defesa: 2016
• Autor(a) principal: Fábio Ávila Arcanjo
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; UFMG
• Palavras-chave em Português: documentário; performatividade; retórica; argumentação; Estamira (Filme); Cinema e linguagem; Linguagem cinematográfica; Análise do discurso; Performance (Arte); Retórica
• Link de acesso: http://hdl.handle.net/1843/RMSA-AHNFG4

This research aims to investigate, under the perspective of Argumentative DiscourseAnalysis, the Brazilian documentary "Estamira" directed by Marcos Prado in 2004. Webelieve that our questioning object fits into the contemporary trend adopted by Braziliandocumentary makers, which consists on casting as their production characters the so-called"natural individuals'. This terminology, present at different times throughout the text,mentions those people who are, to some extent, marginalized by the major media. To buildour analysis, we will use theoretical studies in areas such as cinema, communication andphilosophy. The main themes to be covered in addition to the Argumentative DiscourseAnalysis above mentioned, revolve around the reinterpretation about Rhetoric, by the Belgianphilosopher Michel Meyer, theories of performance, the notion of silence conferred by EniOrlandi, and finally, we close our thesis discussing, in a conclusive way, the matter ofresentment.