Traços da cultura mineira em uma obra de José de Vasconcellos Monteiro

• Ano de defesa: 2007
• Autor(a) principal: Maria da Consolacao Anunciacao
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; UFMG
• Palavras-chave em Português: José de; Vasconcellos Monteiro; Análise musical intersemiótica; Barra Longa; Cultura; Missa dedicada a São José; Musica Minas Gerais Aspectos culturais
• Link de acesso: http://hdl.handle.net/1843/AAGS-82XK3S

We investigated in this dissertation the relationship between the music as symbolic form and the cultural context, in the period when the composer José de Vasconcellos Monteiro lived and composed the work "Mass dedicated to São José". This symbolical form concerns a great party of the patron of the Barra Longa City, called "Party of São José, which represents that context. Therefore, we compared the current party with the musical aspects of the work in analysis (melodic and harmonic procedures), used by the composer and the relationship of his music with the society of the time, in other words, the social function in the local community. We concluded then, that the changes and the conservation of traditional aspects, noticed at the party, in the current days, establish the identity and the ethos of a people and the connection of the work with the historical context, revealing it as a mirror of that culture. Our methodology intends to explore, in integrated way, the three levels: poietic, neutral and esthesic, proposed by the Jean Molinos Tripartition Theory, developed by Jean-Jacques Nattiez and the SAAC (System of Analysis of Compared Art) from Sandra Loureiro de Freitas Reis).