ARTE CANELA RAMKOKAMEKRÁ: POÉTICAS DA RESISTÊNCIA

Detalhes bibliográficos
Ano de defesa: 2024
Autor(a) principal: AROUCHA, Letícia Leite Saboia Rabelo
Orientador(a): MENENDEZ, Larissa Lacerda lattes
Banca de defesa: MENENDEZ, Larissa Lacerda lattes, ZORZAL, Ricieri Carlini lattes, PANET, Rose-France de Farias lattes
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal do Maranhão
Programa de Pós-Graduação: PROGRAMA DE PÓS-GRADUAÇÃO EM CULTURA E SOCIEDADE/CCH
Departamento: DEPARTAMENTO DE ARTES/CCH
País: Brasil
Palavras-chave em Português:
Arte Indígena;
Cestaria;
Canela Ramkokamekrá;
Ensino de Artes
Palavras-chave em Inglês:
Indigenous Art;
Basketry;
Canela Ramkokamekrá;
Arte Teaching
Área do conhecimento CNPq:
Artes
Link de acesso: https://tedebc.ufma.br/jspui/handle/tede/5669
Resumo: This work is about analyzing the artistic elaboration of basketry of the indigenous people Canela Ramkoamekrá, because this kowledge could be a better way to help us understand the contempo rary indegenous art scene in Brazil.The methods employed were bibliographic, documentary, exploratory, interdisciplinary, and qualitative research. It was used the visual record of the Canela Ramkokamekrá basketry collection at the Maranhão Natural History and Archeology Research Center.The aim is to analyze how the artistic elaboration of indigenous Canela Ramkokamekrá basketry can help us understand their culture. Authors such as Darcy Ribeiro (2021; 2017), Berta Ribeiro (1987;1980), Crocker(1990), Nimuendajú (1946), Menendez (2011;2019;2021), Boas (2015), Rolande (2013), Oliveira (2018), Krenak(2019), present theoretical conceptions about indigenous people that can help to build a profile of the Canela people and their culture and it also helps to understand the scene of contemporary indigenous art in Brazil through the exhibitions " Véxoa: Nós sabemos", "Móquém Surarî, and the 34th " Bienal de São Paulo". The authors studied in the other stage of research are: Berbert (2021), Bienal (2021),Dinato (2019), Esbell (2018), Baniwa (2022), Gell (2021), Goldstein (2021), Krenak (2022), Lagrou (2009), Marques (2018), Moquem (2021),Oliveira (2022), Terena(2020;2021).We conclused that basketry of indigenous people was not exposed at recent art events, exhibitions and museums.

Registros relacionados