Detalhes bibliográficos
| Ano de defesa: |
2024 |
| Autor(a) principal: |
Santos, Saulo Martins dos
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| Orientador(a): |
Yokozawa, Solange Fiuza Cardoso
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| Banca de defesa: |
Yokozawa, Solange Fiuza Cardoso,
Silva, Célia Sebastiana,
Andrade, Alexandre de Melo,
Pires, Antônio Donizeti,
Quevedo, Rafael Campos |
| Tipo de documento: |
Tese
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
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| Programa de Pós-Graduação: |
Programa de Pós-graduação em Letras e Linguística (FL)
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| Departamento: |
Faculdade de Letras - FL (RMG)
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| País: |
Brasil
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/13405
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Resumo: |
This thesis proposes an analysis of the concepts of anachronism and resistance present in Alexei Bueno's contemporary poetry. We find that his work rejects the ideas of progress, overcoming, and novelty when applied to artistic-literary creation, seeking to promote intertextual dialogues between elements from numerous cultural sources of the past and issues of the historical present. In the first chapter, we demonstrate, through the reading of selected poems from As escadas da torre (1984), Lucernário (2003), and A noite assediada (2022), how the creative process based on the tensioning of significances originating from different temporalities, that is, in the positively anachronistic relationship between times, reveals the poet's ethical perspective in seeking among the traces of the artistic-literary heritage a possibility of deeper understanding of the world, inviting his readers to reflect on the human condition in contemporaneity. In the second chapter, we choose to analyze some poetic movements of Os resistentes (2001), Alexei Bueno's most explicitly political work, which employ “parodic satire” (HUTCHEON, 1985) to criticize the alienation of consciences provoked by the exacerbated consumerism of today. In addition to denouncing the alienation of consumerist society, the poetry of the 2001 book also presents an idea of aesthetic resistance that sees in the (im)potency of the poem a possibility of accessing a type of knowledge, linked to time beyond the time of anachronism, that challenges the lack of meaning of the contemporary, reconnecting us with our own humanity. To support our reading of Buen's work, we adopted a theoreticalcritical, analytical and interpretative methodology supported by the thoughts of authors such as Octavio Paz (1993, 1996, 2012, 2013), Benedito Nunes (2009), Nicole Loraux (1992), Giorgio Agamben (2009), Hans Magnus Enzensberger (2003), Marcos Siscar (2007, 2010, 2016, 2018) and Jacques Rancière (2007) and also in critical texts on Alexei Bueno's contemporary poetry, such as the studies by Marcos Estevão Gomes Pasche ( 2014) and Carlos Eduardo Marcos Bonfá (2015). |
