Sejamos anacrônicos, “divinamente anacrônicos”: os diálogos com a tradição na poética contemporânea de Alexei Bueno

• Ano de defesa: 2018
• Autor(a) principal: Santos, Saulo Martins dos
• Orientador(a): Paula, Marcelo Ferraz de
• Banca de defesa: Paula, Marcelo Ferraz de, Camargo, Goiandira de Fatima Ortiz de, Salgueiro, Wilberth Claython Ferreira
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Letras e Linguística (FL)
• Departamento: Faculdade de Letras - FL (RG)
• País: Brasil
• Palavras-chave em Português: Poesia brasileira contemporânea; Tradição; Anacronismo; Alexei Bueno
• Palavras-chave em Inglês: Contemporary brazilian poetry; Tradition; Anachronism; Alexei Bueno
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::LETRAS
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/9253

In this dissertation, our main objective is to analyze the contemporary poetics of Alexei Bueno and the dialogues established by her with various authors, themes and forms crystallized by tradition. In general, this characteristic is pointed out by some critics as an impoverishing anachronism and by others as a positive trait of the poetry of contemporary authors. Thus, the anachronistic confluence between the present and the past justifies an investigation into the literary production of Alexei Bueno. As it is a bibliographical research, the critical encounter with the corpus of poems selected from As escadas da torre (1984), Poemas gregos (1985/2003), Lucernário (1993/2003), Os resistentes (2001) and Anamnese (2016) was mediated through the discussion of authors who focus on the notion of anachronism and dialogue with tradition in modern and contemporary lyric, such as Celia Pedrosa (2001), Fábio Andrade (2008; 2015), Hans Magnus Enzensberger (2003), Iumna Maria Simon (1990; 1999; 2015b), João Alexandre Barbosa (1986; 1998), Nicole Loraux (1992) and TS Eliot (1989). In addition, we base the interpretation of poetic texts on the concepts of aesthetic resistance, memory and crisis in the culture of Alfredo Bosi (2000), Marcos Siscar (2010) and Octavio Paz (2013).