Detalhes bibliográficos
| Ano de defesa: |
2023 |
| Autor(a) principal: |
Ferreira, Ezequiel Martins
 |
| Orientador(a): |
Nogueira, Lisandro Magalhães
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| Banca de defesa: |
Nogueira, Lisandro Magalhães,
Bezerra, Cláudio Roberto de Araújo,
Nunes, Alexandre Silva,
Amaral, Roberto Antônio Penêdo do,
Christino, Daniel |
| Tipo de documento: |
Tese
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Performances Culturais (FCS)
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| Departamento: |
Faculdade de Ciências Sociais - FCS (RMG)
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| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/13125
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Resumo: |
The proposal to relate the theories of Cultural Performances with Psychoanalysis was carried out based on the film by director Eduardo Coutinho, Play of Scene, taken, here, as a film within the limits of the documentary that carries traces of performance art, and evokes elements that point to the subjectivity behind the characters. In this, the objective is to elucidate the way in which this subjectivity appears in Coutinho's device, where the register of the imaginary prevails. The concepts of narcissism and the image of I are taken, and, extracted from the participants' testimonies, the significant extracts that are repeated and that point to a failure, at the same time that it expresses, as a mask, a another scene, in which something beyond the imaginary appears. Thus, as a result, the proposal given in the invitation, which is to crystallize an image of I in the form of characters, stumbles upon the reality of the scene itself. |
