Momentos criativos de Cora Coralina: uma leitura do dossiê genético de Poemas dos becos de Goiás e estórias mais

Detalhes bibliográficos
Ano de defesa: 2021
Autor(a) principal: Oliveira, Lílian Rodrigues de Souza lattes
Orientador(a): Yokozawa, Solange Fiuza Cardoso lattes
Banca de defesa: Yokozawa, Solange Fiuza Cardoso, Silva, Célia Sebastiana da, Souza, Jamesson Buarque de
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Programa de Pós-graduação em Letras e Linguística (FL)
Departamento: Faculdade de Letras - FL (RMG)
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/12924
Resumo: In front of the complex issue, that permeates the understanding of the literary text's creation process, this research, based on the theoretical and methodological assumptions of Genetic Critic, has the scope of examining how the creative process of Cora Coralina is configured in the work Poems of the alleys of Goiás and more stories. The Genetic Criticism is an investigation that understands creation from its construct and brings methodological guidelines that require the establishment of a new perspective for the investigation of manuscripts such as the elaboration of a prototext, built operationally by the researcher, from the planning, deciphering, placement and transcription of documents. In this sense, the purpose of this work is to reveal the phases of the writing Poems of the alleys of Goiás and more stories and to show the author Cora Coralina in her literary work, through the contemplation of the provisional, the alternative movements of substitution, elimination, addition and other erasures contained in the text in her coming to be. In addition, in possession of the documents left by the writer throughout the creative process, it seeks to establish links between the data contained there and the product delivered to the public. To this end, the process writings, the author's interviews that direct poetic creation, and the editions of the work in question.