Performances sonoras: uma escuta do cotidiano goianiense

• Ano de defesa: 2019
• Autor(a) principal: Oliveira, Thais Rodrigues
• Orientador(a): Veloso, Sainy Coelho Borges
• Banca de defesa: Veloso, Sainy Coelho Borges, Silva, Rubens Alves da, Stolf, Maria Raquel da Silva, Oliveira, Vania Dolores Estevam de, Santos, Rafael Guarato dos
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Performances Culturais (FCS)
• Departamento: Faculdade de Ciências Sociais - FCS (RG)
• País: Brasil
• Palavras-chave em Português: Performances culturais; Som e cidade; Janelas sonoras; Performance urbana
• Palavras-chave em Inglês: Cultural performances; Performance studies; Sound and city; Sound windows; Urban performance
• Área do conhecimento CNPq: OUTROS::CIENCIAS SOCIAIS
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/10031

The research here systematized circumscribes the problem: do the sounds of daily life in the the city represent us culturally? There is a sound cultural performance of Goiânia? Therefore, our objective was to identify, collect and record sounds in four significant places of the city and, subsequently, edit them in order to make a sound installation called Windows Sounds. This installation, beyond the end in itself, also served as a mecanism to confirm or not whether there is a cultural sound performance in Goiânia, with the reception of the selected sounds. The research data were obtained through observation, listening, interview and questionnaires of the four most expressive sound territories of Goiânia, selected and considered that way by me. Data analisys was developed qualitatively, etnographic (with contributions of urban antropology) and based on theoretical discussions of these authors: Erving Goffman (1986, 2001, 2011, 2012); Richard Schechner (1985, 2002, 2003, 2006); Raymond Murray Schafer (1977, 2011); Victor Turner (1974, 1982), Sainy Veloso (2013, 2014); Roland Barthes (1990); Michael Certeau, Luce Giard and Pierre Mayol (1996); Clifford Geertz (1989); Carlos Fortuna (1998, 1999); José Guilherme Cantor Magnani (1998, 2007, 2013, 2016); Maurice Halbwachs (1980); Pierre Schaeffer (1950, 1966); Bernd Schulz (1999); Gilles Deleuze and Felix Guattari (1992), among others. We hope that this sensitive sound experience, conducted in the investigation, will contribute to the discussion of sounds as cultural sound performance and allow understanding the local culture in its diversity.