Detalhes bibliográficos
| Ano de defesa: |
2019 |
| Autor(a) principal: |
Fioramonte, Wilder
 |
| Orientador(a): |
Rocha, Cleomar de Sousa
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| Banca de defesa: |
Rocha, Cleomar de Sousa,
Salles, Laurita Ricardo de,
Monteiro, Rosana Horio,
Hildebrand, Hermes Renato,
Silva, Thiago Fernando Sant’Anna e |
| Tipo de documento: |
Dissertação
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
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| Programa de Pós-Graduação: |
Programa de Pós-graduação em Arte e Cultura Visual (FAV)
|
| Departamento: |
Faculdade de Artes Visuais - FAV (RG)
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/10977
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Resumo: |
This research unfolds in an investigation of a theoretical nature and another of a practical nature. From a theoretical point of view, aspects of cybernetics (such as the notions of feedback, control, self-regulation, entropy, role of the observer, cognitive processes, first and second order cybernetics) are addressed, as well as theoretical aspects related to participation and to interactivity in the context of technological art, with issues such as the opening of the artwork to reception and the notions of first and second interactivity, endogenous and exogenous interactivity being discussed. The alignment of these concepts form the basis for the practical approach, when we present: (1) the technological art installations of the new expographic project of the Museu Casa de Cora Coralina (City of Goiás), developed by the Media Lab / BR team between the years from 2016 to 2018; (2) the work Sonoridades Coralinas (2017), an installation that invites the viewer to delight in declamations of verses by the poet Cora Coralina, in a multisensory perspective; and, (3) the installation of technological art Metamorfônicos (2017-2018), in which a person can interact to a cybernetic system through the generation of sounds capable of inducing a “creature” to perform rhythmic steps and paint ink tracks in paper. As relevant results of this investigation, we mention the verification of important alignments between the theoretical notions of participation and interactivity in the perspectives addressed by Julio Plaza and Edmond Couchot et al. in association with first and second order cybernetic theory, and the practical experiments with the technological poetics of the works listed, all of them inserted in the regional context of the state of Goiás. |
