No pinicado da viola: a criação de personagem a partir da experiência com o samba chula

• Ano de defesa: 2022
• Autor(a) principal: Oliveira, Lorena Fonte de
• Orientador(a): Silva, Renata de Lima
• Banca de defesa: Silva, Renata de Lima, Queiroz, Clécia Maria Aquino de, Oliveira, Joana Abreu Pereira de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Artes da Cena (EMAC)
• Departamento: Escola de Música e Artes Cênicas - EMAC (RG)
• País: Brasil
• Palavras-chave em Português: Samba de roda; Samba chula; Processo de criação; Artes da cena
• Palavras-chave em Inglês: Samba de roda; Samba chula; Creation process; Performing arts
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::ARTES::DANCA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/12076

Samba de Roda is a traditional expressive manifestation of the Recôncavo Baiano region, which involves music and choreographic, poetic, festive and ritualistic aspects. Since 2005, it has been recognized as an oral and intangible heritage of humanity by the United Nations Educational, Scientific and Cultural Organization (Unesco). Samba is considered a Brazilian musical genre. Among the different manifestations of samba, there is the Samba de Roda and the Samba Chula, which is characterized by the presence of a type of song that gives its name to the samba (chula) and the viola machete. From the experience with Samba Chula in the group “Angoleiros do Samba Chula”, from Goiânia - Goiás, the desire arises to carry out a scenic investigation into the potential of Samba Chula as a driving force for a scenic creative work, in particular, for the character creation. This investigation focused on conducting field research in the district of São Braz, municipality of Santo Amaro - Bahia, with the Samba Chula João do Boi group; in theoretical studies on scenic work, especially from research carried out by Lume – Interdisciplinary Center for Theater Research (Unicamp) and by NuPICC – Collective Scenic Research and Investigation Nucleus 22 and, finally, in a scenic laboratory where the character is born. Rosario. Therefore, it starts from the understanding that the creative work in Arts of the Scene, with elements of Afro-Brazilian cultural manifestations, such as Samba Chula, provides the expansion of the communicative and political potential of the theater, valuing traits of cultural identities.