Jo Spence e Hannah Wilke: narrativas da dor

Detalhes bibliográficos
Ano de defesa: 2014
Autor(a) principal: Arcanjo, Kárita Gonzaga de Oliveira lattes
Orientador(a): Monteiro, Rosana Horio
Banca de defesa: Monteiro, Rosana Horio, Bueno, Paulo Lima, Rocha, Cleomar de Sousa, Borges, Maria Elisia, De Jesus, Samuel José Gilbert
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Programa de Pós-graduação em Arte e Cultura Visual (FAV)
Departamento: Faculdade de Artes Visuais - FAV (RG)
País: Brasil
Palavras-chave em Português:
Dor
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/4154
Resumo: This research aims to investigate the sick body and the pain representation by means of photography, considering its documentary and narrative elements. To that end we elected the photographic series The Picture of Health? (1982-1986) and Narratives of Disease (1990) by Jo Spence (1934-92) and Intra-Venus (1992-1993) by Hannah Wilke (1940-93), which focus on the cancer photographic documentation, taking into account their meanings as photographic narratives. In these series we have as interests the pathological pain of the sick and treated body and the image built from its appropriation by these artists. Basing on the study of self-portrait we discuss the relationship between pose and identity in the photographic image constitution as well as the concepts of photography-document proposed by André Rouillé and photographic narrative adopted by Susan e. Bell. Thus, we understand Jo Spence‘s and Hannah Wilke‘s narratives as potent instruments to face the pain, the silence and the stigma which the cancer patient is submitted, and still, a way for questioning the female image socially and culturally constructed.