Detalhes bibliográficos
| Ano de defesa: |
2016 |
| Autor(a) principal: |
Silva, Keila Alves da
 |
| Orientador(a): |
Jorge, Anahy Mendonça
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| Banca de defesa: |
Jorge, Anahy Mendonça,
Santos, Edna de Jesus Ribeiro dos,
Chaud, Eliane Maria |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
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| Programa de Pós-Graduação: |
Programa de Pós-graduação em Arte e Cultura Visual (FAV)
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| Departamento: |
Faculdade de Artes Visuais - FAV (RG)
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| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/5966
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Resumo: |
In the course of my master's research, I work on a textual, artistic and poetic-reflexive construction stem from memories, family objects and filaments of dialogues compositions based on two subjects, my mother and my maternal grandfather. My artistic path was formed by listening experiences of memories and narratives, as an attitude from an ethnographer artist combined with individuals invited for research. Experiences that led me to meet some trigger objects of multiple senses. The same objects of remembrance and affection, elected by me as poetic output, knitting together a triangulation between me, my mother and my maternal grandfather who compose the core of the reflections and analysis of possibilities that were developed in this dissertation production: the individuals, their stories and memories, the inventive makings and things that came from this entanglement. The art path analysis occurred with the aid of a poetic science look. It includes the implications of memory objects converted into artistic artifacts (objects and installation) composed by me but taken from my mother’s and my grandfather’s belongings. The senses threads happen by the weaving of our times, learnings, “doings” and stories. |
