Detalhes bibliográficos
| Ano de defesa: |
2022 |
| Autor(a) principal: |
Dias, Pedro Paulo Galdino Vitorino
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| Orientador(a): |
Nunes, Alexandre Silva
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| Banca de defesa: |
Nunes, Alexandre Silva,
Veloso, Jorge das Graças,
Machado, Maria Ângela de Ambrosis Pinheiro,
Bonetti, Maria Cristina de Freitas,
Malveira, Ricardo Ribeiro |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
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| Programa de Pós-Graduação: |
Programa de Pós-graduação em Artes da Cena (EMAC)
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| Departamento: |
Escola de Música e Artes Cênicas - EMAC (RG)
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| País: |
Brasil
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/12461
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Resumo: |
This master thesis was woven from the image of the wire gat from rural area which surrounds and opens passage between spaces of land. The objective was to open autoenográficos poetics wire gates to free transits between the incantatins of the lands of children's knowledge and doings wrapped in the Goiás imaginary with a focus on a systematization of traditional plays in parallel to theatrical play. For this we studied the plays philosophy especially the play spirit intrinsic to the theatrical creative process as well as the theater philosophy thinking it as an ontological happening, established in conviviality, poiesis and expectation (DUBATTI, 2016). The paths traveled were based on traditional plays poetic dreaminess as its own artistic purpose and in its possibilities in the work of the scenic interpreter in starting points for a scene as well as perspectives for teaching in theatrical classes or workshops. |
