“Transversal do tempo”: uma investigação acerca do gesto cênico de Elis Regina no espetáculo apresentado em Lisboa (1978)

• Ano de defesa: 2019
• Autor(a) principal: Cuellar, Davi Coutinho Evangelista Johns
• Orientador(a): Souza, Ana Guiomar Rego
• Banca de defesa: Souza, Ana Guiomar Rego, Cruvinel, Flávia Maria, Capel, Heloísa Selma Fernandes, Rosa, Robervaldo Linhares
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Musica (EMAC)
• Departamento: Escola de Música e Artes Cênicas - EMAC (RG)
• País: Brasil
• Palavras-chave em Português: Transversal do tempo; Elis Regina; Análise fenomenológica; Discurso; Gesto cênico transversal do tempo
• Palavras-chave em Inglês: Elis Regina; Phenomenological analysis; Discourse; Scenic gesture
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::ARTES::MUSICA::COMPOSICAO MUSICAL
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/11261

The context of the Military Dictatorship (1964-1985) generated several cultural movements in Brazil setting precedents for many artists to resist the system imposed on Brazilian society. The period that refers to the opening of the regime (1977-1985) was composed of several changes and it was at this juncture that the “Transversal do Tempo” show (1978) was born. Elis Regina's “Transversal do Tempo” tour ran across several Brazilian cities and also featured international shows, including the presentation at the Villaret Theater in Lisbon, available on various internet sites today. In this regard, the aim of this research was to carry out a phenomenological analysis of the scenic gesture of Elis Regina in the “Transversal do Tempo” show performed at the Villaret Theater in Lisbon (1978) and for this endeavor I was based basically on the thought of the philosopher Mikhail Bakhtin and his conception of the genres of discourse, in Lawrence Ferrara's methodological proposal (1984) about the use of phenomenology as a tool for performing musical analysis in his article Phenomenology as a Tool for Musical Analysis and in three biographical narratives built around the life and work of Elis Regina: Furacão Elis (ECHEVERRIA, 2012), Elis – Uma Biografia Musical (FARIA, 2015) e Elis Regina – Nada Será Como Antes (MARIA, 2015). This dissertation was conceived, structured and divided into three parts (chapters). In the first chapter I discussed the notions of units of language, utterance, text, discourse, movement and scenic gesture. In the second chapter I crossed biographical aspects of Elis Regina with the historical context that was lived in Brazil, especially during the Military Dictatorship (1964-1985). And in the third chapter I performed the analysis of five songs (considering the categories: textual aspects, harmony, musical instruments and scenic gesture) contained in the show Transversal do Tempo presented at the Villaret Theater in Lisbon (1978): Fascinação, Sinal Fechado, Transversal do Tempo, Romaria and Cartomante.