Detalhes bibliográficos
| Ano de defesa: |
2020 |
| Autor(a) principal: |
Soares, Kárita Garcia
 |
| Orientador(a): |
Andrade, Rita Morais de
|
| Banca de defesa: |
Andrade, Rita Morais de,
Jesus, Samuel José Gilbert de,
Silva, Thiago Fernando Sant’Anna e,
Cândido, Manuelina Maria Duarte,
Rainho, Maria do Carmo Teixeira |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Arte e Cultura Visual (FAV)
|
| Departamento: |
Faculdade de Artes Visuais - FAV (RG)
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/10955
|
Resumo: |
This is a study on the costume work produced by Flavio de Carvalho for Cangaceira, a 1954 bailado that happened during the IV Centenary of São Paulo city celebrations. This research tried to locate the bailado’s context of production, and then to figure a possible interpretation for its costume conception, specially concerning its visual references. The sources were specialized bibliography and documental research in collections. This study dialogues with patrimony discussions about scenic costumes and its theoretical-methodological issues, such as the costume seen as a document and discussions opposing imagetic analysis to artefactual analysis. Therefore, taking Cangaceira as a focus means to research costumes insertion among cultural goods. In conclusion, this work shows that the practices of institutions related to cultural patrimony and the ways they are organized are part of the key elements of art production and its historical comprehension. |
