Performance cibergótica: processo criativo de figurino para o Posthuman Tantra

• Ano de defesa: 2019
• Autor(a) principal: Silva, Luiz Carlos Ferreira da
• Orientador(a): Franco, Edgar Silveira
• Banca de defesa: Franco, Edgar Silveira, Silva, Ademir Luiz da, Berardo, Rosa Maria
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Arte e Cultura Visual (FAV)
• Departamento: Faculdade de Artes Visuais - FAV (RG)
• País: Brasil
• Palavras-chave em Português: Figurino; Cibergótico; Ciberarte; Performance
• Palavras-chave em Inglês: Costumes; Cybergothic; Cyberart; Performance
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::ARTES
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/9926

This research refers to an investigation of creative processes in art and visual culture of theoretical and practical character, involving the costumes and their contexts. It is structured in the creation of a costume for the artistic language of performance. The development of his aesthetic identity involves an exploratory exploration of industrial- based rock subcultures such as the gothic, cyberpunk and, above all, the cybergothic, relating them to the conceptual aspects that make up the fictional universe transmedia of Edgar Franco's "Post-Human Dawn”, inspired by reflections on the contemporary context of cyberart and hypertechnologies such as robotics, nanoengineering and biotechnology. It also addresses aspects related to the post-human phenomenon, science fiction, technognosis and fetishism. The poetic production involves the creation of a costume with interactive technological elements for the presentations of the Posthuman Tantra's performance group that assists in the ritual incorporation of the power animal of the performer Ciberpajé: the Wolf, making him a post-human wolf / werewolf. The created clothing also contributes to the critical proposal of the Posthuman Tantra, treating the costumes as poetic creation that assists in criticizing the harmful aspects of the technological acceleration of a consumer society driven by the dynamics of fashion and programmed obsolescence.