Detalhes bibliográficos
| Ano de defesa: |
2023 |
| Autor(a) principal: |
Marcucci, Yasmim Stella Domingues
 |
| Orientador(a): |
Hirano, Luis Felipe Kojima
|
| Banca de defesa: |
Hirano, Luis Felipe Kojima,
Mainardi, Camila,
Oliveira, Alessandro Roberto de,
Collaço, Janine Helfst Leicht,
Magnani, José Guilherme Cantor |
| Tipo de documento: |
Dissertação
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Antropologia Social (FCS)
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| Departamento: |
Faculdade de Ciências Sociais - FCS (RMG)
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/13684
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Resumo: |
In this research I will present, through ethnographies and theoretical references, the construction of the body of the circus artist. This rich and diverse field opens up possibilities for thinking about the body as a category that expresses the social markers of difference, which is articulated to narrate stories, which articulate social categories present in the world in which the circus is inserted. Thus, I explore the ethnographic field in circus schools allied by theoretical lenses, mainly Bourdieu (1983), Ingold (2010) and Csordas (2008) – and also other authors – that allow me to look not only at the body, but at the symbolic capitals, acquired skills and corporeality. Therefore, in this research I talk about symbolic borders, habitus, body hexis, symbolic and cultural capital and I discover a language of its own that the circus has, that the body also acquires. I conclude that the circus has its own way in which differentiations and classifications are created within the circus field itself. |
