Vou te contar uma história! : estudo a partir do filme Simeão, o boêmio, de João Bennio

• Ano de defesa: 2011
• Autor(a) principal: CUNHA, Marla Cardoso Oliveira
• Orientador(a): MARTINS, Alice Fátima
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Mestrado em Cultura Visual
• Departamento: Processos e Sistemas Visuais, Educação e Visualidade
• País: BR
• Palavras-chave em Português: cinema; espectador; grupo de discussão e práticas sociais
• Palavras-chave em Inglês: cinema; spectator; discussion group and social practices
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tde/2788

The object of this research is to investigate the cinema produced in Goiás specifically in the film by João Bennio (1927-1984) Simeão, o boêmio (1969), from its sociocultural and historical relevance and from interpretations constituted by a discussion group, formed by eight students and three professors of the Social/Audiovisual Communication Course at Universidade Estatual de Goiás. In order to discuss the possible relations between public and film producer, seven meetings with the discussion group have been called and happened in two phases. The first encompassed six meetings organized with the project proposal presentation; film projection and discussion; argumentation with the group based on various images which relate to the film and our trajectories and affection; creation and realization of a visual narrative derived from those images and their interpretations. The second phase consisted of only one gathering intended for presenting the result obtained with the the finalized visual narrative to the discussion group. Considering that the relations between the spectator and the film are part of the social practices in a constant relationship between teaching and learning, the viewer is thought of not as a passive consumer, but as a main character who produces social value and cultural languages, integrating the complexity of the contemporary society complexities. I consider that the histories described in this paper have not been concluded, still they bear some reserve for other possible histories yet to come and many more.