Detalhes bibliográficos
Ano de defesa: |
2017 |
Autor(a) principal: |
Mendes, Jeane Pereira Gomes da Silva
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Orientador(a): |
Nunes, Jordão Horta
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Banca de defesa: |
Alonso Diéguez, Carla Regina Mota,
Tosta, Tânia Ludmila Dias,
Nunes, Jordão Horta |
Tipo de documento: |
Dissertação
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Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Universidade Federal de Goiás
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Programa de Pós-Graduação: |
Programa de Pós-graduação em Sociologia (FCS)
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Departamento: |
Faculdade de Ciências Sociais - FCS (RG)
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País: |
Brasil
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Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/9254
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Resumo: |
The practice of tattooing has been studied by several areas of knowledge, including in the field of human sciences. However, research aimed at understanding the one who tattooed is still scarce. The first records on the occupation exercise indicate that, historically, this activity was associated with socially marginalized people. However, in recent years, given the growing professionalization of the occupation, we note that the meanings around the person who has been tattooed have been re- signification, becoming a very attractive option for many men and women, originating from the popular classes and who find in the practice of tattooing a way to ascend socially. In this sense, the objective of this dissertation was to analyze the work of the tattoo artist, understanding how the tattoo professional has been legitimized as an artist and, simultaneously, the tattoo as a means of artistic expression. We observed that there are several strategies used by these professionals to be considered artists, among them; creativity, skill, uniqueness, recognition and technique. Based on this observation, it was possible to establish a typology of the tattooist career, since this occupational field has shown to be quite heterogeneous. |