Detalhes bibliográficos
| Ano de defesa: |
2014 |
| Autor(a) principal: |
Santos, Júlio César dos
 |
| Orientador(a): |
Berardo, Rosa Maria
|
| Banca de defesa: |
Berardo, Rosa Maria,
Kaminski, Rosane,
Montoro, Tania Siqueira,
Franco, Edgar Silveira,
Silva, Thiago Fernando Sant’Anna e |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Arte e Cultura Visual (FAV)
|
| Departamento: |
Faculdade de Artes Visuais - FAV (RG)
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/4398
|
Resumo: |
This thesis presents an analysis of the film's creative process "... if I were a flower ..." directed by Marta Cezaria de Oliveira, a black feminist movement militant woman in Goiás, with the understanding the fundamentals of cinema as technopoetic device and cinematic representations of black female identity as human condition symbolic. The film directed by this black woman, in her first film production, evidence how much her political, religious, hardworking and black woman condition infers an aesthetic and visual poetic marked by the idea of art as collective action. The Marta’s film presents a multifaceted identity mosaic formed by different black women views represented there, with whom Martha establishes an intersubjective political dialogue, dialogue that takes place in the territory of femininity and blackness, producing symbolic identity, among other of a flower metaphor and projection of themselves perceptions. Marta holds more than a documentary film, produces a manifest, an ideological political instrument leads to a poetic guided by the main objective of the black women movement what is to produce states of race and gender consciousness and empowerment, considering at the same time the collective and the subjectivity in their political relations. This thesis shows questions that challenge the black women stereotypes, in their own visions, that asks the "being for others", assuming a position of political subject, historical, cultural and subjectively, and the "being for itself" - field in which black women interpellate contemporary society to its foundations in antiracism feminist struggle. Finally, it is shown that the Marta’s black woman condition leads her to produce a "black film" in line with what is proposed by the black movement and the awareness of this condition, without considering the black woman as a victim or heroin, but a subject of hers own history. Representing black women through this film, Marta Cezaria de Oliveira interferes in the process of identity construction of black women and to take ownership of these images alters their subject positions for themselves and others, causing disruptions in their fundamental human condition as therefore, transforming and breaking what seemed predestined them by hegemonic white masculinist culture. |
