Detalhes bibliográficos
| Ano de defesa: |
2015 |
| Autor(a) principal: |
Souza Neto, Manoel Gustavo de
 |
| Orientador(a): |
Silva, Luiz Sérgio Duarte da
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| Banca de defesa: |
Silva, Luiz Sérgio Duarte da,
Gonzales, Eurico Antonio,
Damião, Carla Milani,
Menezes, Marcos Antônio,
Teixeira, Rafael Saddi |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em História (FH)
|
| Departamento: |
Faculdade de História - FH (RG)
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| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/10048
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Resumo: |
This study runs on Benjamin`s concept of history, or, more specifically, on his theory of history taken as the reflection on the limits and possibilities of the historical knowledge. It`s an essay which takes his for from Benjamin`s concept of a “dialetical image”, that`s why it`s divided in two parts, leading which one to some of Benjamin`s thought phases: if in a first moment i put my attention in the relations between philosophy of language and theory of knowledge in Benjamin`s preface to the Trauerspielbuch its because it´s in this context that Benjamin will develop his first concept to theory and methodology of history: the concept of origin. In the second essay, which must be fought as a superposition to the firs essay, in a way they the contrast between the two texts, bring to light the differences and continuities between both phases of Benjamin`s work, I focus on Benjamin`s concept of cultural history, with the aim of show how this concept forms the ground to a critic of culture, which means: a critic of the concept of tradition and its linear history, guided by the concept of progress. |
