Detalhes bibliográficos
| Ano de defesa: |
2016 |
| Autor(a) principal: |
Gonçalves, Luiz Eduardo
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| Orientador(a): |
Souza, Ana Guiomar Rêgo
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| Banca de defesa: |
Cunha, Estércio Marques,
Clímaco, Magda,
Paranhos, Kátia,
Costa, Carlos,
Souza, Ana Guiomar Rêgo |
| Tipo de documento: |
Dissertação
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
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| Programa de Pós-Graduação: |
Programa de Pós-graduação em Musica (EMAC)
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| Departamento: |
Escola de Música e Artes Cênicas - EMAC (RG)
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| País: |
Brasil
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/7707
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Resumo: |
With due attention to the transtextuality of Genette and Harvey, to the postmodern condition of Bauman and Harvey, this research with phenomenological basis investigates the relationship between listening and writing, the subject that quotes, and the composition as a transtextual derivation from listening. Three composers - Pärt, Górecki and Schnittke - and their works are in focus, as well as a work of mine “O Nascimento de Vênus”. These works are analyzed and heard in three chapters that seek to address the syntactic, semantic and ontological aspects of music. In the open listening and the discussions on creation and postmodernity, there was room for the poetic and the singular to manifest, so that the knowledge generated here may integrate the objective and the subjective, the collective and the individual, the self and surpassing by others. |
