Mulheres que dirigem filmes em Goiás e a criação de um documentário sobre ser mulher fazendo filme: 1966 a 2022

• Ano de defesa: 2023
• Autor(a) principal: Silva, Naira Rosana Dias da
• Orientador(a): Berardo, Rosa Maria
• Banca de defesa: Berardo, Rosa Maria, Dias, Luciene de Oliveira, Montoro, Tânia Siqueira, Rodrigues, Manoela dos Anjos Afonso, Oliveira, Flávio Gomes de
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Arte e Cultura Visual (FAV)
• Departamento: Faculdade de Artes Visuais - FAV (RMG)
• País: Brasil
• Palavras-chave em Português: Mapeamento e registro da produção cinematográfica das mulheres do audiovisual de Goiás; Cartografia das diretoras do cinema goiano; Escrevivências e processos de criação de um filme documentário; Cici Pinheiro e cinema feito em Goiás realizado por mulheres negras; Quilombolas; Indígenas e trans; Filmes de animação dirigidos por mulheres em Goiás
• Palavras-chave em Inglês: Mapping and recording the cinematographic production of audiovisual female professionals from Goiás state; Cartography of Goiás state women directors; Creating autobiography and processes of a documentary movie; Cici Pinheiro and Goiás cinema made by black; Indigenous and transgender women; Animated films directed by women in Goiás state
• Palavras-chave em Espanhol: Mapeo y grabación de la producción cinematográfica de las mujeres audiovisuales de Goiás; Incluyendo películas de animación; Cartografía de los directores de Goiás; Autobiografía y procesos de creación de una película documental; Cici Pinheiro y el cine hecho en Goiás por mujeres negras; Indígenas y mujeres trans; Películas animadas dirigidas por mujeres en Goiás
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/13171

Since 1966 women have directed films in the state of Goiás, Brazil. However, it is known that these women were erased or appeared as supporting actors in movie scripts by male authors. There are still few scholarly works that investigate cinema made in the Brazilian state Goiás, especially if the criterion consists of a thesis written on this subject and, moreover, written by a black female author who reveals her feminist view on issues involving gender and race in films depicting Brazilian region. This exploratory research, centered on personal narratives, creative processes, and the experience of being a woman working in contemporary cinema presents a descriptive table of 131 women who directed films in the state of Goiás. This number represents a total of 306 films produced from 1966 to 2022. It is important to consider that the designation director, referenced and introduced here, does not only refer to the filmmaker who has built a career over the years, recognized in important festivals, or by the production of sophisticated films; director, in this study, is the woman who exercised this function even if the film was made in a straightforward manner or simply presented in film clubs or cultural spaces. Two pioneers of cinema in Goiás ‐ Cici Pinheiro and Rosa Berardo, and the process of creating their films, respectively: the unfinished and disappeared O Ermitão do Muquém and André Louco (1990) ‐ reveal the beginning of the history of female directors in Goiás. The phenotypic issue of the multi‐artist Cici Pinheiro is examined, whether because she came to be recognized as a black woman, or whether the racial issue had never been discussed in any previous writing that addressed her. Even though Cici Pinheiro's film had not been finalized, she embarked on the direction of a feature‐length fiction film in 1966, even before the black female filmmaker Adélia Sampaio from the state of Minas Gerais in Brazil, who needs to be highlighted. Special attention is also given to women who directed animations, due to the rarity of this in Goiás, and to black and indigenous women directors for the same reason, but also due to the racial cut of the researcher, a black woman author behind the camera. Some directors were interviewed in depth, others answered a semi‐structured questionnaire, recorded for the composition of the documentary: Women who direct films in Goiás, the result of this research, in which the process of creation of their making is narrated. The following directors were featured: Ana Luíza Reis de Sá, Cris Ventura, Marta Kalunga, Silvana Beline, and Rosa Berardo. The study prioritized female authors, specifically filmmakers who have recently published collections: Holanda and Tedesco, 2017; Silva, C., 2017; Holanda, 2019; Lusvarghi and Silva, 2019; Tedesco, 2021, and Martins, R., 2021. Museum archives, catalogs printed and online, newspapers, various websites, old blogs, YouTube, Vimeo, CVs, and social networks of the directors were consulted for data collection. Therefore, this research is a contribution to studies that address women and the History of Women in Cinema in Brazil and the state of Goiás.