O lugar da arte no mundo da técnica - aproximações e distanciamentos entre arte e técnica no pensamento de Martin Heidegger

• Ano de defesa: 2020
• Autor(a) principal: Castro, Leidiane Coimbra de Lima
• Orientador(a): Damião, Carla Milani
• Banca de defesa: Damião, Carla Milani, Duarte, Irene Filomena Borges, Pádua, Lígia Teresa Saramago, Sombra, Laurenio Leite, Almeida, Fábio Ferreira de
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Filosofia (FAFIL)
• Departamento: Faculdade de Filosofia - FAFIL (RG)
• País: Brasil
• Palavras-chave em Português: Arte; Técnica; Verdade; Criação; Disposição; Truth
• Palavras-chave em Inglês: Art; Technology; Creation
• Área do conhecimento CNPq: CIENCIAS HUMANAS::FILOSOFIA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/10924

Ge-stell is described by Martin Heidegger as the essence of modern technology. Contemporarily, it stands quite distinctively from the instrumental and anthropological relationship involved in the daily chores or in the day-to-day labor with technological objects. As a manifestation of being, Ge-stell offers man another possibility of being-in-the-world. He realizes his technological way of being from the attunement (Stimmung) he can achieve in his new disposition (Befindlichkeit). Characterized by limiting its possibilities to a single way of being - particularly as calculative thinking is inherent to Ge-stell, the technological way of being prevents man from reasoning on what constitutes his self: the openness for ways of being. Heidegger suggests thinking about technology within the limits of art as an alternative to reasoning on the opening of possibilities that compose the human existence. The relationship between technology and art, however, is built upon the tensions on which one can establish proximity and distance between them. This is possible because both are types of disclosure (alétheia), of creation and disposition (Befindlichkeit). If, on the one hand, art discloses the world, on the other, technology does the same. If the former opens up man’s ways of being, the latter does likewise. Unquestionably both reveal beings through their creations. However, the world, the disposition and the beings disclosed by both, present themselves in a complete distinctive way. This reasoning leads this thesis to address both types of disclosure (alétheia), and the way man experiences the world through them.