A saga do poetizar no crivo do pensamento de Martin Heidegger

• Ano de defesa: 2021
• Autor(a) principal: Valério, José Carlos
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal da Paraíba; Brasil; Filosofia; Programa de Pós-Graduação em Filosofia; UFPB
• Palavras-chave em Português: Linguagem; Origem; Verdade; Inesperado; Criação; Poesia; Language; Origin; Truth; Unexpected; Creation; Poetry; CNPQ::CIENCIAS HUMANAS::FILOSOFIA
• Link de acesso: https://repositorio.ufpb.br/jspui/handle/123456789/21391

This thesis has as theme the saga of poetizing in the sieve of the thought of Martin Heidegger. The notion of saga must be understood as to show, that is, letting appear and naming from the poetic saying of the originary language, which requires an ontological difference for the instrumental language of the metaphysical tradition, especially of modern rationality. Poetizing is based on the Greek conception of poetry (ποίησις) that serves as it is the leitmotiv in the writing of this work. Furthemore, the thematic deepening is based on the thinking of Martin Heidegger, but also an incursion into the poetry of Friedrich Hölderlin who helps us to focus on the theme. Indeed, we emphasize that poetry is conducive for us to think of the forgotten being by tradition. In principle, we defend that the poetic saying of language projetcts, in the world, the being of man towards creative freedom. Creativity gains scope with the articulation among poetry, philosophy and Science. It is a matter of establishing a dialogical conversation between both of them from the perspective of truth as an opening. The truth must be understood in the sense of aletheia as unveiling and veiled, according to the Heideggerian translation. This translation shows the interplay since where the question of the being reigns. Certainly, it builds the circumscription of the opening in which we dwell in a singular and collectively. At the heart of our search, we are faced with having to think of the unexpected, whose starting point must be the “misfortune” indicated by Hölderlin. This consists of the main topos through which we can unveil the vestiges of the sacred in the sense of nature (physis), followed by the possibility that that topos becomes plausible for any and all to name, think and research. In our research, the need to weave an approximation and distance among poetizing, thinking and acting emerged. To account for this, the phenomenological-hermeneutic method is used, which helps us to think about such traces from the unexpected, which pulls us out and projects us towards creative freedom. Finally, Heidegger gives us a formal indication about the need for a shift in consciousness to the open, where language can signal something to be created as being truly new in the sense of a new story, that is, the vigor always present in everything that is to come and disappear. Therefore, any and all creation must be inscribed by the movement of remembering (Andenken) and of prospecting (Vordenken), indicative of a search for something more, which is worth and awaits for the saga of the poetic saying of the originary language.