A intertextualidade e a compreensão do discurso literário: Arraia de Fogo e Nove Noites

• Ano de defesa: 2011
• Autor(a) principal: Gonçalves, Eliana de Oliveira
• Orientador(a): Cruvinel, Maria de Fátima
• Banca de defesa: Cruvinel, Maria de Fátima, Souza, Agostinho Potenciano de, Ramos, Maria Celeste Tommasello
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Letras e Linguística (FL)
• Departamento: Faculdade de Letras - FL (RG)
• País: Brasil
• Palavras-chave em Português: Intertextualidade; Teoria bakhtiniana; Discurso literário; Recepção; Arraia de fogo; Nove noites; Pós-modernismo
• Palavras-chave em Inglês: Intertextuality; Bakhtin theory; Literary discourse; Reception; Fire Ray; Nine nights; Postmodernism
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::LINGUISTICA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/5231

This dissertation results from the research on the intertextuality as a dual mechanism, which applies to construction as well as the reception of literary texts, by reason of the discourse that it engenders in them. To reach this aim, the work sought first to understand the term intertextuality by the historic construction of its concept in the language phenomenon inner, under Mikhail Bakhtin perspective, and analyzed in several settings which acquired as object of theoretical studies in the linguistic and literary fields. The second movement focused on the aesthetic dimension of intertextuality in fictional text, as a phenomenon that has always been present in the literature, discriminated between several ways, that reflect the continuous resumption of what has been already said, and that has constantly a new sight in accordance with the specifications of each system; and that assumes determinative characteristic in contemporary art, considered postmodern. Thus, through comparative analysis of the novels Arraia de Fogo of José Mauro de Vasconcelos and Nove Noites of Bernardo de Carvalho, which allows putting into focus the theme of suicide, common to both of them, one can conclude that the thematic intertextuality that is around them feeds from lots of interdiscursive nuclei, contributing, therefore, to fill empty spaces through triggering the repertory composed in the memory of the reader, so that he can build the literary discourse meaning effects .