A dicção ensaístico-ficcional do personagem-escritor na narrativa brasileira contemporânea

• Ano de defesa: 2012
• Autor(a) principal: CAMARGO, Flávio Pereira
• Orientador(a): FARIA, Zênia de
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Doutorado em Letras e Linguistica
• Departamento: Linguistica, Letras e Artes
• País: BR
• Palavras-chave em Português: narrativa brasileira contemporânea; narrativa metaficcional; narrativa narcisista; personagem-escritor; leitura; leitor; teoria e crítica literária
• Palavras-chave em Inglês: contemporary Brazilian narrative; metafictional narrative; narcissistic narrative; character-writer; reading; reader; literary theory and criticism
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA BRASILEIRA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tde/2845

In our research, we propose initially to rescue some of the current trends of contemporary Brazilian prose fiction in order to introduce the reader to some of its main lines of force, especially a metafictional narrative, produced in the late twentieth century and early twenty-first century. To accomplish this bibliographical study, we chose to divide it into two parts. In the first part, entitled A narrativa brasileira contemporânea, comprising two chapters, we have made some considerations about the concept of contemporary literature, as we did a rescue of the critical reception of Brazilian literature produced in recent decades, followed by an extensive discussion on the issues constituent of metafictional narrative. In the second part, titled A encenação do fazer literário na prosa de ficção brasileira contemporânea, we propose to effectively analyze narrative and discursive strategies employed by Sérgio Sant'Anna, Antonio Fernando Borges and Rubem Fonseca in the preparation of his metafictional novels, respectively: Um crime delicado (1997), Braz, Quincas & Cia (2002), e Diário de um fescenino (2003), dedicating to each of these works a specific chapter in which we seek to highlight the discursive and narrative strategies employed by the authors in the construction process and elaboration of his novels, in order to explain the different manifestations of the contemporary metafictional narrative.