Feito leite derramado sobre a pedra: a cidade, a memória e a montagem no documentário de Jia Zhang-kE

• Ano de defesa: 2012
• Autor(a) principal: Alcantarilla, Isaac Pipano
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Programa de Pós-graduação em Comunicação; Comunicação
• Palavras-chave em Português: Cinema; Documentário (Cinema); Cidade; Memória; Cinema, Documentary (Film); City; Memory; CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
• Link de acesso: https://app.uff.br/riuff/handle/1/20280

The research reflects on images of four Jia Zhang-ke s documentaries: Dong, Useless, 24 City and I Wish I Knew. Urgent images forged on the real, attached to the intense transformation caused by the parasitic nature and the power of capitalism in China. Images which esthetic and political dimensions cross the conditions to the existence of cinema, and enable the encounter of subjectivities, forces, visibilities and affections. Thereby, we try to draw a line that works with the image and with the world as Jia Zhang-ke s cinema does looking towards two complimentary movements: the processes of subjectification implied on new space and time regimes, represented in different ways by the aforementioned movies. In the first movement, the city is the centre of the reflection. What cities are those? And what do they reveal about the relations between capitalism, the rearrangements in space and the people which inhabit them? The second movement emphasizes the associations between images and memory, from looking to an elusive past and seeing a continuously-escaping present. The montage assumes a prevailing role on these analyses, by mobilizing the will of connection and the intermediations concerning a place where capitalism crossed society s superficial layers. The tension between life as scene and the mise-en-scène of cinema