As relações entre o cinema brasileiro e a arte contemporânea a partir da Tropicália : estudo dos filmes Câncer, A lira do delírio e Exu-piá, coração de Macunaíma

• Ano de defesa: 2010
• Autor(a) principal: Real, Elizabeth Maria Mendonca
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Programa de Pós-graduação em Comunicação; Comunicação
• Palavras-chave em Português: Cinema brasileiro; Arte; Tropicalismo (Movimento musical); CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
• Link de acesso: https://app.uff.br/riuff/handle/1/18703

In this text I intend to set the relations between the Brazilian Cinema and visual arts, specifically during and after the Tropicalism, an important milestone of the Brazilian culture in the late 60 s. Such relations can be placed in a cultural context characterized by intense changes between the different fields of arts, no only in Brazil, but in the whole world. By studying three movies Câncer by Glauber Rocha, A lira do delírio by Walter Lima Jr., and Exu-Piá, coração de Macunaíma by Paulo Veríssimo which were made in different decades but share common characteristics, it aims to highlight concepts that inserts the cinematographic production in the context of contemporary art. The similarity with performance, the crisis on authorship notion and the identification with the urban popular culture are themes that guide the three chapters of this text.