Cartografias de cinema: o mapa dentro e fora e entre (d)o filme

• Ano de defesa: 2023
• Autor(a) principal: Aguiar, Mayara Perinni de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Espírito Santo; BR; Mestrado em Geografia; Centro de Ciências Humanas e Naturais; UFES; Programa de Pós-Graduação em Geografia
• Palavras-chave em Português: Cartografias de cinema; Impulso de mapeamento; Imaginação; Espaço; Geografia
• Link de acesso: http://repositorio.ufes.br/handle/10/12348

Nowadays, our geographical imaginations are increasingly made up of images. In this scenario, contemporary geography is increasingly concerned with image studies. Through the perspective of Doreen Massey (2013), our paper proposes to think about the possibilities of interpretation for the spatial politics of images. In this way, we deal with the sphere of thought, and thus provoke ourselves to think about how images have power and reverberate in the construction of geographical imaginations about space, about the world. In order to think about these issues, we will engage in a dialog with cartographic expressions present in films. Through film cartographies, this paper seeks to find clues to understanding visual culture in the encounter between cartographic language and cinematographic language. In order to do this, the text is divided into three parts. Firstly, we will look at visual studies in order to better understand the visual culture present in society, geography and cartography. It's important to bring up the dialog between geography and cinema, so we'll analyze the perspectives most often addressed by scholars in the field. We then situate the studies of film cartographies among film geographies and then conceptualize the term film cartographies, bringing together the main concepts, perspectives and authors who dialogue on the subject. The last part of the paper is an analysis of the encounter between cinema and cartography in the Brazilian films "De onde eu te vejo" and "Todo mapa tem um discurso". We present strategies for looking at images through cartographic expressions, the mapping impulse present in the films, and how these images affect the construction of our geographical imaginaries.