Arte, embriaguez e superação da metafísica em Nietzsche
Ano de defesa: | 2010 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal do Espírito Santo
BR Mestrado em Filosofia UFES Programa de Pós-Graduação em Filosofia |
Programa de Pós-Graduação: |
Não Informado pela instituição
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Departamento: |
Não Informado pela instituição
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País: |
Não Informado pela instituição
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Palavras-chave em Português: | |
Link de acesso: | http://repositorio.ufes.br/handle/10/6270 |
Resumo: | From that we consider to be the question of the philosopher Friedrich Nietzsche in general, namely, diagnose and address the attitudes that deny life, we analyzed the meaning given to art as a way to overcome such a perspective. To this end, we deem necessary to deal with, since a broad approach, what he meant by life as will to power and body for better positioning its criticism of the tradition of Western thought, and collect what is the counterpoint that art provides. In turn, the notion of intoxication expresses the differential of art to establish themselves as "pre-physiological condition" just as soon as a pre-condition of its own overcoming. As we shall see, the "overcoming of metaphysics" advocated in the art does not represent a reversal, but the need to consider the truths from the perspective that enabled, invalidating thus the expectation of finding an unequivocal meaning to life, demanding, finally, the assumption of the consequences of a statement. |