Estruturas narrativas e transições emocionais em pilotos de série: um estudo da mitologia de The Walking Dead

Detalhes bibliográficos
Ano de defesa: 2019
Autor(a) principal: Lemos, Roberto da Silveira lattes
Orientador(a): Kieling, Alexandre lattes
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Católica de Brasília
Programa de Pós-Graduação: Programa Stricto Sensu em Comunicação
Departamento: Escola de Educação, Tecnologia e Comunicação
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Resumo em Inglês: This study proposes an analysis of narratives in TV series to verify correlations of its structure and the emotional rewards offered to the viewer. The successful audiovisual narratives are supported, many of them, in classic structures that stimulate the involvement of the spectator. These formats meet the expectations of the public to provide them with cognitive rewards. In recent years, studies on emotion and their relation to these rewards obtained through immersion and projection-identification processes have grown. To do this, he does an analysis with two pilots of TV series of great success in the concurred US market, both characteristically of complex narrative and belonging to the same mythological universe, of The Walking Dead. When comparing the two pilot series, this study demonstrates the symmetry in the use of strategies that aim to thrill the viewer.
Link de acesso: https://bdtd.ucb.br:8443/jspui/handle/tede/2566
Resumo: This study proposes an analysis of narratives in TV series to verify correlations of its structure and the emotional rewards offered to the viewer. The successful audiovisual narratives are supported, many of them, in classic structures that stimulate the involvement of the spectator. These formats meet the expectations of the public to provide them with cognitive rewards. In recent years, studies on emotion and their relation to these rewards obtained through immersion and projection-identification processes have grown. To do this, he does an analysis with two pilots of TV series of great success in the concurred US market, both characteristically of complex narrative and belonging to the same mythological universe, of The Walking Dead. When comparing the two pilot series, this study demonstrates the symmetry in the use of strategies that aim to thrill the viewer.