Detalhes bibliográficos
| Ano de defesa: |
2018 |
| Autor(a) principal: |
Trintin, Claudia Farias Lopes
 |
| Orientador(a): |
Carvalho, Cristiane Mafacioli
|
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica do Rio Grande do Sul
|
| Programa de Pós-Graduação: |
Programa de Pós-Graduação em Comunicação Social
|
| Departamento: |
Escola de Comunicação, Arte e Design
|
| País: |
Brasil
|
| Palavras-chave em Português: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
http://tede2.pucrs.br/tede2/handle/tede/7826
|
Resumo: |
By regarding emotions as the incitement of contemporary social order, and the importance of observing the participation of communication in the constitution of affective relations, this paper aims to produce a semiolinguistic analysis of the advertising for the Chanel No. 5 perfume, with the intention of demonstrating the construction of feelings relating to love. The Chanel brand can be perceived, for its time of existence and marketing reach, as having a considerable power of interference on both the economic and cultural fields of the current panorama. Equally, one can perceive the interference of the personality of its founder – stylist Coco Chanel, as a prominent female figure in the advertising of the Chanel No. 5 perfume. The observations by Patrick Charaudeau about the analysis of the discourse consist the theoretical/methodological contribution of this research, which has, as its guiding problem, to try to understand how the Chanel No. 5 perfume presents love as an object of search in its speech contract. The corpus of this study consists in four advertising films for the product, which were released between 2004 and 2014, and was outlined from the universe of advertising films that can found on the brand‟s YouTube channel, considering its content in relation to love and its consequences on western culture, as well as demonstrating the aspects concerning Coco Chanel, her brand and the Chanel No. 5 perfume. Finally, this research develops the analysis of the selected advertising films, considering their situational context, identifying its discursive subjects, discursive strategies, and their enunciative contracts. As a main result, this paper demonstrates that Chanel No. 5‟s advertising films try to present contemporary social aspects, especially those regarding the outlining of women‟s profiles, but hide, in these traces, the persuasive presence of romantic love, instituting a kind of discursive masking. |
