Detalhes bibliográficos
| Ano de defesa: |
2018 |
| Autor(a) principal: |
Voss, Nadja da Silva
 |
| Orientador(a): |
Passos, Marie-Hélène Ginette Pascale Paret
|
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica do Rio Grande do Sul
|
| Programa de Pós-Graduação: |
Programa de Pós-Graduação em Letras
|
| Departamento: |
Escola de Humanidades
|
| País: |
Brasil
|
| Palavras-chave em Português: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
http://tede2.pucrs.br/tede2/handle/tede/7848
|
Resumo: |
This essay, which is the second volume of the thesis, deals with the analysis of the documents of process of the novel Dentro, by my authorship. It is a hybrid novel between literature and visual arts, inscribed in Liberature, a Polish movement where the wholeness of the book is fundamental. No longer is the author's role only the literary text, but all of the questions relating to the object book. In Liberature, images, typography, cover, bookbinding, etc., have as much authorial meaning as the linguistic and, for such, they should be taken care of by the author. This essay also includes the mapping of the Primordial Image – a concept that I have being theorizing since 2012 –, a fractal and rhizomatic gear, that is denominator of creation, within this hybrid work. Thus, the process of creating a hybrid, liberatic work that leads to the extreme of Liberature’s concept, encompassing the whole process under a singe person is analyzed. As so how this Primordial Image drives the creation, mainly in a liberatic creation which, as such, does not end with the linguistic, but extendsand unfolds in each gesture. |
