Detalhes bibliográficos
| Ano de defesa: |
2009 |
| Autor(a) principal: |
Oliveira, Adriana Gomes de
 |
| Orientador(a): |
Vieira, Jorge de Albuquerque |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Comunicação e Semiótica
|
| Departamento: |
Comunicação
|
| País: |
BR
|
| Palavras-chave em Português: |
|
| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/5273
|
Resumo: |
From the cross-combination of biological and technological systems language emerges. Human language is manifested by operator mechanism in which minimal units of meaning can be found. These units are widely exploited in poetry and can be trained, since they are important hypermedia tools; in themselves they are communication tools. The informational contact with any and every system changes that system through what constitutes its form of organization through language that, in humans, have emotions and feelings as an ontology. Evolving technologies help us to infer about our own ontology or ontologies that make up reality due to organizational similarities. The field of art is a suitable field for tests with such technologies, where a specific fruition time-space is established. In this research we present this finding about the time-space specifically to the enjoyment of art when the proposition appears implemented with evolutionary tools exploring verbal language, since a differential coupling can manifests itself in the scope of verbal language, in these biological-technological interactions involving computers. This observation about language expands to human-computer interactions when hardware and software interfaces are not working properly |
