Detalhes bibliográficos
| Ano de defesa: |
2011 |
| Autor(a) principal: |
Lacerda, Victor Homburger
 |
| Orientador(a): |
Rago Filho, Antonio |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em História
|
| Departamento: |
História
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/12668
|
Resumo: |
The herein paper looks at nationalism through the musical works of Alberto Nepomuceno and Francisco Mignone. The internal logical analysis of the sources requires a research that captures not only the social environment at that moment but also the development of these relations, making it possible to understand the use of nationalism in music; the relation between music and society shows itself, then, objectively. Setting out from musical works urges us to contextualize them; for that, the History of Brazil in the 19th and 20th centuries is slightly rescued in order to determine the limitations and presumed conditions, both material and spiritual in which the songs were created. The tight relation of the country with the dominant nations at that time, as well as the observation of the Brazilian Erudite Music tradition led us to include the nationalist music of these two composers in a very lively world scenario. The Nationalist Music reveals itself then, as a historical one |
