Detalhes bibliográficos
| Ano de defesa: |
2016 |
| Autor(a) principal: |
Silveira, Mariana Outeiro da
 |
| Orientador(a): |
Motta, Leda Tenorio da |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Comunicação e Semiótica
|
| Departamento: |
Faculdade de Filosofia, Comunicação, Letras e Artes
|
| País: |
Brasil
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/19556
|
Resumo: |
This dissertation aims to investigate the connections between poetic and visual texts in Paranoia, written by Roberto Piva, which incorporate a photographic intervention by Wesley Duke Lee. The corpus of this study is Paranoia’s illustrated edition (2000), organized by the artists themselves and also by the notorious publisher Massao Ohno. Theoretically, this research is based on the concept of intersemiotic translation, originally formulated by Roman Jakobson and later developed by Julio Plaza, and considers studies that have innovative approaches related to this topic. Expertise about Surrealism and Beat poetry also interests our research, especially ideas presented by Andre Breton, Walter Benjamin and Allen Ginsberg. Methodologically, this study has the intention to investigate bibliography and documents, the latter related to the Wesley Duke Lee’s archives. The relevance of this research is tied to the current recognition of Piva’s work by scholars and critics, who have considered him a representative of the late historical Brazilian avant-gardes from the middle of the XX century. Due to its photographic intervention, it is necessary to address Paranoia in a wide-ranging area, outside the Literary field |
