Detalhes bibliográficos
| Ano de defesa: |
2021 |
| Autor(a) principal: |
Perez, Wagner Palazzi
 |
| Orientador(a): |
Greiner, Christine
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| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Comunicação e Semiótica
|
| Departamento: |
Faculdade de Filosofia, Comunicação, Letras e Artes
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| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://repositorio.pucsp.br/jspui/handle/handle/24899
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Resumo: |
This master's dissertation examines how the digitization of music, together with the mobility provided by the use of cellphones, has created new ways of relating to the universe of sound. We asked whether music streaming is a milestone in the establishment of new listening practices and whether the digitization of music has, in fact, transformed our relationship with sound. From the contact with various metaphors about life and death that cross the history of sound reproduction devices, we conclude that listening practices continue to be haunted by the past, even when dealing with new technologies, which promotes a sort of reunion of senses and times. As a theoretical bases, we start from the genealogy of sound media proposed by Sterne and Kittler, dialoguing with authors such as Bull (2000), Castanheira (2016), Chion (1994), Crary (2014), DeNora (2004), among others. The expected result aims to collaborate with debates that emphasize the need to deal with the complexity of listening from cognitive e political issues that incessantly promote the reinvention of the senses – and bodies – without being restricted to the analysis of new technologies |
