Detalhes bibliográficos
| Ano de defesa: |
2014 |
| Autor(a) principal: |
Mendes, Cassiano Cordeiro
 |
| Orientador(a): |
Salles, Cecilia Almeida |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
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| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Comunicação e Semiótica
|
| Departamento: |
Comunicação
|
| País: |
BR
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/4639
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Resumo: |
This research proposes the theme of analyzing the interaction as a creative resource for photographers working in collectives, noting the route of organizing photographic work as a process of creating networks. The project objective is to discuss the process of building the collective picture trials of photography: Cia de Foto, Garapa and Rolê, which call themselves collectives photography. The hypothesis is that the construction of the photographic essay is systematized as knowledge networks built on constant collaborative interactions. And the final delivery of the test is strengthened in the process of editing material collected by members. Collecting the course of work documentation from files left on the internet and interviews will be taken. These documents are records of group discussions, click the collective (compared with camera) and the publishing group (compared with software and selection). The study of each group process will enable comparative mapping modes of collective action in a more general way, as regards the establishment of authorship. The research aims to contribute to both the research process and for discussions on new directions in contemporary photography |
