Comunicação nas redes de criação: a cor em processo nas cartas de Van Gogh

Detalhes bibliográficos
Ano de defesa: 2011
Autor(a) principal: Silva, Letícia Felix da lattes
Orientador(a): Salles, Cecilia Almeida
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Pontifícia Universidade Católica de São Paulo
Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Comunicação e Semiótica
Departamento: Comunicação
País: BR
Palavras-chave em Português:
Cor
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: https://tede2.pucsp.br/handle/handle/4355
Resumo: The purpose of this research is to analyze Van Gogh's letters as a communicative act necessary to the artist along his creative path. Starting from the approach of creation as network, the letters are document of process, which record traces of the way traveled by the artist in his creative process. The body of the research is a total of 819 Van Gogh letters, written in between 1872 and 1890, available on Van Gogh's Foundation site, which presents the transcript of all the original documents, translations into English and the fac-símiles. Over the methodological point of view, it was given an empirical treatment to the documents from a critical reading, establishing relationships among the significant issues of the project by the artist. The recurrences led us to the two most relevant aspects: the need for communicational interaction and the importance of color in his artistic path. Thus, these became the research cut, seeking to understand the letters as a communicative way and the way as the color is built along the artist route. This construction is discussed not just over the bias of the materiality and the paint manipulation, but as well over the subjective aspect of his color quest. This work is based on the process theory as construction network, proposed by Salles Cecilia in dialog with the semiotic Peirciana and with Pierre Musso's network conception. There are as well established approaches with Deleuze and Guattari's rizoma concept. The communicative aspects of the letters are approached on Flusser and Foucault's perspectives