Detalhes bibliográficos
| Ano de defesa: |
2021 |
| Autor(a) principal: |
Rodrigues, Maria Norma Duarte
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| Orientador(a): |
Ibri, Ivo Assad
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| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
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| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Filosofia
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| Departamento: |
Faculdade de Filosofia, Comunicação, Letras e Artes
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| País: |
Brasil
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://repositorio.pucsp.br/jspui/handle/handle/24918
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Resumo: |
This study highlights the influence of the concepts of Art, Technique and Inspiration present at the phenomenon of dance under the peripheral perspective of the ancient philosophy of Plato in the Dialog Ion, by emphasizing the categorical triad of Charles Sanders Peirce. This work proposes a reflection regarding the scope of a philosophy of dance that contributes to an approach on the questions existing from antiquity until today. We seek to understand the singularities of the process of creation of dancing artists, by focusing on a phenomenological and ontological disposition of particular aspects connected to a universal character. We intend to achieve the understanding of a concept of deliberation and its implication on what is related to the choice and consideration of the ability of the technique of languages of dances in what regards the referred predicates of lightness. It is about an elevation of the aesthetical experience from dance taken here as a metaphor regarding the human in relation to the otherness that characterizes his existence, building inside that art, his typical poetic |
