Detalhes bibliográficos
Ano de defesa: |
2020 |
Autor(a) principal: |
Vettore, Erica Rodrigues Faria |
Orientador(a): |
Rolnik, Suely Belinha |
Banca de defesa: |
Não Informado pela instituição |
Tipo de documento: |
Dissertação
|
Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica
|
Departamento: |
Faculdade de Ciências Humanas e da Saúde
|
País: |
Brasil
|
Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
https://tede2.pucsp.br/handle/handle/23391
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Resumo: |
This dissertation presents, in the form of a “notepad”, the process of creating the performance entitled “The Woman of the End of the World - Maintenance and Creation on the Scene” from the artistic company “Cia Cênica Nau de Ícaros”. A report of an interpreter/creator who was present throughout the research process and on stage in the referred performance. The desire is to share with the reader the paths, reflections, discussions of a research in arts that combines theory and practice throughout a creative process, in which the development of a conceptual model is marked by its transitory and evolving nature. Using cartography as a methodological path, it seeks to reveal the crossings of the research in question in three main axes: in the subjectivity of the relationships shared in the process between the group, of the affections revealed in the intertwining with the theoretical contributions that served as the basis of the research, and yet, in the relationship between micropolitics and art in a process of scenic creation. Betting, above all, that a process of creation implies the death of some worlds (so that others may emerge), many insurrections were experienced in this process, which was based on the relationship between maintenance and creation activities in the construction of female subjectivity, seeking, at the intersection between both activities, the formulation of the concept CARE for the construction of new modes of existence supported by an ethical and active policy |