Detalhes bibliográficos
| Ano de defesa: |
2008 |
| Autor(a) principal: |
Barcellos, Jefferson Alves de
 |
| Orientador(a): |
Borelli, Silvia Helena Simões |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Ciências Sociais
|
| Departamento: |
Ciências Sociais
|
| País: |
BR
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
|
| Área do conhecimento CNPq: |
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| Link de acesso: |
https://tede2.pucsp.br/handle/handle/3917
|
Resumo: |
The Social Sciences dedicate attention on studying the youth as a new bias on the construction of identities (Hall, 1999) in different formats and as a continuous process that occurs at a daily manner. The present work tends to understand and punctuate specific points on the modification of musical genders on a historical and bibliographic way, with a profound study of the new musicality and its insertion on the youth universe. The first musical chords of the American black music were considered, such as its influences, at a first moment identifying the artists that dedicated their work to this new musical possibility and at a second moment, to the new visual possibilities that were presented during the route of this change. The present work takes on a photographic bias to identify and punctuate the different musical style modifications, following, at a first glance, the changes at the North American scenario and secondly, on the English ground. On this second moment, this dissertation points out the changes occurred on musical aspects and through the analyses of images and photography of the 60´s, showing later that at a punctual way these changes occurred simultaneously at the USA and England, culminating on the consolidation of a new musical and visual style, which was called the Punk Culture. Considering the music and photography as a basis for a permanent dialogue, an ethnographic research was conducted at the city of Ribeirão Preto, considering the musical scenario at the 90´s and the actuation of the present researcher on the punk music movement of the city. This work of investigation and identification also traces a comparison with the present day and identifies a visual and musical scenario with the influence of the punk movement on the city at the present day (2007) |
