Detalhes bibliográficos
Ano de defesa: |
2009 |
Autor(a) principal: |
Pucci, Magda Dourado
![lattes](/bdtd/themes/bdtd/images/lattes.gif?_=1676566308) |
Orientador(a): |
Junqueira, Carmen Sylvia de Alvarenga |
Banca de defesa: |
Não Informado pela instituição |
Tipo de documento: |
Dissertação
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Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
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Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Ciências Sociais
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Departamento: |
Ciências Sociais
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País: |
BR
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Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
https://tede2.pucsp.br/handle/handle/4066
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Resumo: |
This dissertation presents the imbricated relation between music and narrative, speech and chant, voice and myth, that together, are part of the poetical art from the Paiter Suruí, a indigenous people from Rondônia (Amazonia). Part of the cultural heritage of Suruí people can be found at the Arampiã Archive that has recordings collected by the anthropologist Betty Mindlin, who has been working with the Paiter for more than 20 years. Those documents are like oral-books of histories from the Suruí life from the past and present. This dissertation focuses on the varied forms and vocal expressions of the Suruí in the realm of Anthropology, Ethnomusicology, Etnopoetics and Orality Studies. The musicality comes from the language Tupi-Mondé that is rich in onomatopoeias and ideophones, besides exclamations that have verbal functions that imitates animals of the forest. The Suruí people music shows us that myth is not only the fabulous stories, but also the reality. Both are presented though archaic words and metaphorical meanings revealing a complex situation in their way of life |