Por fora da arte: um estudo sobre o campo da produção artística e a identidade do artista plástico

• Ano de defesa: 2009
• Autor(a) principal: Portolano, Ricardo Giorgi
• Orientador(a): Ciampa, Antonio da Costa
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Pontifícia Universidade Católica de São Paulo
• Programa de Pós-Graduação: Programa de Estudos Pós-Graduados em Psicologia: Psicologia Social
• Departamento: Faculdade de Ciências Humanas e da Saúde
• País: BR
• Palavras-chave em Português: Artes plásticas; Produção artística; Artistas; Identidade social; Intersubjetividade; Psicologia social
• Palavras-chave em Inglês: Identity; Visual arts; Artistic production; Intersubjectivity; Social psychology
• Área do conhecimento CNPq: CNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIAL
• Link de acesso: https://tede2.pucsp.br/handle/handle/17345

This work analises the construction of the visual artist s identity in relation to the field of artistic production. At first, we look at Pierre Bourdieu s field theory, in which the field of artistic production reveals itself as a structure with disputes. These power disputes define the values that determine the works that will be considered art and which artist will be considered as such. After that, we discuss the identity theory developed by Jürgen Habermas and Antonio da Costa Ciampa, to establish a theorical frame to understand how identities are constructed nowadays. There are identities that have the possibility to determine themselves in accordance with their relationships, and there are identities that are dominated and determined by other interests than their own. One of the objectives in this thesis is to analise the visual artist s possibilities of emancipation while inside a field that has forces that may specify his or her identity based on these interests. For empirical data, we interviewed a professional visual artist, through a semidirected interview based on the narrative of his life story