Detalhes bibliográficos
Ano de defesa: |
2010 |
Autor(a) principal: |
Nogueira, Tiago Sanches
 |
Orientador(a): |
Mezan, Renato |
Banca de defesa: |
Não Informado pela instituição |
Tipo de documento: |
Dissertação
|
Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
|
Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Psicologia: Psicologia Clínica
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Departamento: |
Psicologia
|
País: |
BR
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Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
https://tede2.pucsp.br/handle/handle/15928
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Resumo: |
The goal of this study is to provoke thoughts about music, in light of psychoanalytic concepts. From their own experience on music s field (whether as composer, performer, or listener) and, under the motto art allows the individual person to express the contents that daily language does not reach , it discusses various conscious and unconscious elements that are limited around the establishment, especially musical. In order to link theory and practice, was realized an interview with André Abujamra which allowed to set up the following theses, concerning the possible relationship between music and psychoanalysis. To bridge the hidden cocoon (the inexorable) it is necessary to establish formative and per formative categories of artwork. The composer psychology sets the clinical pictures of music; The word -representation is not linked with object- representation (thing) through all its components, but only from sound image, the music is completely isolated from other arts because its clarity is even more than the world intuitive itself. The music explicit the human cry; Listening music can serve as metaphor for unconscious listening; There is a pleasure produced in musical activity, where make is more important than actual production results. The development of such theories, leads us to articulate the possibility of not only have a musician- person but a music-person |