Detalhes bibliográficos
| Ano de defesa: |
2022 |
| Autor(a) principal: |
Dias, Wagner Miranda
 |
| Orientador(a): |
Salles, Cecilia Almeida
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| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Tese
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Pontifícia Universidade Católica de São Paulo
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| Programa de Pós-Graduação: |
Programa de Estudos Pós-Graduados em Comunicação e Semiótica
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| Departamento: |
Faculdade de Filosofia, Comunicação, Letras e Artes
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| País: |
Brasil
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://repositorio.pucsp.br/jspui/handle/handle/29614
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Resumo: |
This thesis investigates the relationship between crisis and creation, observing artistic procedures and processes as actions of resistance to crises. For this, it delves, specifically, into the links between body arts and audiovisual. The experiences of hybridization between body arts and audiovisual have been taking place since the 19th century, however, these transits have intensified in recent years due to factors such as the development and cheapening of digital technologies, which provide diffusion facilities for artists and access for the spectator, generating an effervescent area of interaction. The crisis installed in the pandemic context blatantly increased these interactions and, in order to put them into perspective in this study, it was necessary to address some creative paths (collective and individual) that took place before and after the pandemic. The theoretical foundation is structured from the critical theory of creative processes by Cecilia Almeida Salles. The theoretical framework proposes dialogues with Edgard Morin, David Harvey, Michel Serres, Zigmunt Bauman, Lucia Santaella, Arlindo Machado, Jacques Rancière, Flavio Degranges, Béatrice Picon-Vallin, Christine Greiner, Lúcia Leão and Vincent Colapietro, among others |
